Louis Auguste de Sainson (Artist), Louis Auguste de Sainson (Lithographer), Pierre Langlumé (Printer)

Nlle Hollande, Cabanes du port du Roi Georges, Cabanes de la baie Jervis. Nlle Zélande, Cabanes de l'anse de l'Astrolabe, Cabanes de l'anse des torrens

Nlle Hollande, Cabanes du port du Roi Georges, Cabanes de la baie Jervis. Nlle Zélande, Cabanes de l'anse de l'Astrolabe, Cabanes de l'anse des torrens by Louis Auguste de Sainson, Louis Auguste de Sainson, Pierre Langlumé

Artwork Detail

The Astrolabe under the command of Jules-Sébastian-César Dumont d’Urville departed from France on 28 March 1826, returning on 1 April 1829. Amongst other places the voyage took in the western, southern and eastern coasts of Australia (referred to as Nouvelle Hollande), the upper South Island and east coast of New Zealand, Tonga, Fiji, Solomon Islands and Papua New Guinea. Just over two months of the expedition were spent in New Zealand, from 10 January 1827 when landfall was made off the West Coast to 19 March when the ship set sail from the Bay of Islands for Tonga.

De Sainson as official artist to the voyage made numerous illustrations, as described by his Captain on return to France ‘His portfolio contains no fewer than 182 views, landscapes, scenes and pictures; 153 portraits, 112 plates of dwellings, monuments, costumes, arms and utensils, and 45 coastal profiles, sketches of trees, etc.’ (Collins, 1997, p.13) From these, selections were made for the Atlas Pittoresque to accompany the official account, which included 32 illustrations of New Zealand.

While the publishing model for voyages of exploration of the Captain’s official account and an atlas of illustrations was established by Cook’s third expedition, the Atlas to the Voyage de la corvette l’Astrolabe was unique in that it was the first such publication to use lithography to reproduce the plates. Indeed this innovative usage of the, relatively new, medium was used to promote the publication in its Prospectus.

Academic Roger Collins recognises the skill of the lithographers involved in the project, remarking that de Sainson’s original sketches demonstrate he ‘was not an outstanding draftsman’. Indeed his ‘reputation owes much to the skills of his interpreters.’ (Collins, 1991, p23)

[8.] Nlle Hollande, Cabanes du port du Roi Georges, Cabanes de la baie Jervis Nlle Zélande, Cabanes de l'anse de l'Astrolabe, Cabanes de l'anse des torrens, plate 18

This print is one of a number which demonstrates the ethnographic interest the French showed in the different cultures they encountered, their artifacts and ways of life. Plate 18 depicts dwellings from Astrolabe Bay and the adjacent Torrent Bay, both within the area today referred to as Tasman Bay. They are on the same sheet as two huts from Australia. They seem like temporary or seasonal dwellings when compared to the plate 65, which shows houses from Tolaga Bay and the Bay of Islands. These other houses include carvings over the door and window lintels, as well as bargeboards.

Title
Nlle Hollande, Cabanes du port du Roi Georges, Cabanes de la baie Jervis. Nlle Zélande, Cabanes de l'anse de l'Astrolabe, Cabanes de l'anse des torrens
Artist/creator
Louis Auguste de Sainson, Louis Auguste de Sainson, Pierre Langlumé
Production date
1833
Medium
handcoloured lithograph
Dimensions
326 x 495 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2010
Accession no
2010/5/8
Copyright
No known copyright restrictions
Department
New Zealand Art
Display status
Not on display

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