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exhibition Details
A Place to Paint: Colin McCahon in Auckland considers McCahon’s long-time relationship with Auckland and the significance of the physical, spiritual and cultural landscape on his painting.
Colin McCahon moved to Auckland from Christchurch in May 1953 to begin work at Auckland City Art Gallery. McCahon’s geographical shift north brought about a change in the focus of his art – from the human figure, and grandeur of southern landscapes, to his more local environment. He purchased a cottage for his family at French Bay, and set about painting the regenerating kauri forest that surrounded his home, and the Manukau Harbour at the end of the road.
For the next three decades, his painting responded to the landscapes around his homes and studios in the Waitakeres, inner-city Auckland and Muriwai. McCahon also created works that became part of Auckland’s built environment – including the artworks commissioned for the Convent Chapel of Our Lady of the Missions at Remuera, which will be shown publicly with other large scale paintings from the 1960s. The 1970s and early 1980s will be represented by major paintings created at the Muriwai studio.
On the occasion of this exhibition, the Gallery has published the e-publication, Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows.
Don't miss our concurrent Colin McCahon exhibitions including, From the Archive: Colin McCahon in Auckland and The Wake: A Poem in the Forest, free to view on Ground level.
- Date
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- Curated by
- Ron Brownson and Julia Waite
Selected artworks
May His light shine (Tau Cross)
synthetic polymer paint on unstretched canvas
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1980
Moby Dick is sighted off Muriwai: a necessary case for protection
synthetic polymer paint on canvas
Auckland Art Gallery Toi o Tāmaki, on loan from a private collection
Titirangi
oil on canvas on board
Auckland Art Gallery Toi o Tāmaki, gift of the Ministry of Foreign Affairs and Trade, Wellington, 2002
Here I give thanks to Mondrian
oil (alkyd) on hardboard
Auckland Art Gallery Toi o Tāmaki, gift of the Friends of the Auckland Art Gallery, 1964
Elias triptych
oil ("Solpah"), sand on three hardboard panels
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Landscape theme and variations (series A)
oil on eight unstretched jute canvases
Auckland Art Gallery Toi o Tāmaki, gift of the McCahon Family, 1988
Angels and bed no. 4 : Hi-fi
acrylic on canvas
Auckland Art Gallery Toi o Tāmaki, purchased with assistance from the Friends of the Auckland Art Gallery, 1977
The Large Jump
synthetic polymer paint on unstretched canvas
Auckland Art Gallery Toi o Tāmaki, bequest of Colin McCahon, 1988
Elias triptych
oil ("Solpah"), sand on three hardboard panels
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Rocks at French Bay
ink and oil on unstretched canvas
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1987
Are there not twelve hours of daylight
synthetic polymer paint on unstretched canvas
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1985, in memory of Evelyn W. Gardiner, 1932-2023